A retrospective of photographer Donna Trope’s most striking polaroids is set to captivate art enthusiasts in Paris. Known for her bold and conceptual imagery, Trope has long challenged societal norms surrounding femininity. Her work, exhibited at the Carole Lambert Gallery until September 24th, 2025, features over 25,000 unseen snapshots that delve into themes of beauty, irony, and hyperfemininity. Through these intimate photographs, Trope offers a glimpse into her creative process and the evolution of her unique visual style.
In the heart of Paris, amidst the bustling streets of the Marais district, the Carole Lambert Gallery opens its doors to showcase Donna Trope’s lesser-known side. The exhibition, titled POLAROIDS, spans from June 6th to September 24th, 2025, presenting an extensive collection of previously unpublished works. These polaroids, taken as part of Trope’s meticulous preparation for editorial shoots, reveal raw and unfiltered moments captured during her career.
Trope, a self-taught artist hailing from Los Angeles, gained prominence in the 1990s with her daring approach to fashion and beauty photography. Her images, featured in prestigious publications like Vogue and i-D, as well as collaborations with luxury brands such as Givenchy and Dior, have redefined modern aesthetics. In this exhibit, visitors will encounter polaroids that explore themes ranging from natural beauty products to societal pressures like Botox and dieting trends.
One notable piece showcases a model adorned with leaves, symbolizing the organic evolution of skincare. Another highlights the dichotomy between natural and artificial beauty through contrasting makeup techniques. Each photograph tells a story, inviting viewers to ponder the complexities of contemporary femininity.
The curation, led by Fany Dupêchez, ensures that each polaroid resonates with Trope’s signature style—provocative yet polished, challenging yet captivating. This exhibition not only celebrates Trope’s artistic legacy but also invites reflection on how far the industry has come since her early days of using polaroids as essential tools.
From black-and-white studies of light and shadow to colorful explorations of texture and form, every detail in Trope’s work reflects her dedication to perfection. As she explains, “A Polaroid was never just a rough draft; it was an integral part of the process.”
This sensory journey through Trope’s archives promises to inspire both seasoned admirers and newcomers alike, offering a deeper understanding of her groundbreaking contributions to visual culture.
Donna Trope’s POLAROIDS exhibition runs at the Carole Lambert Gallery, located at 81 Rue du Temple in Paris’s 3rd arrondissement.
Through this exhibition, Donna Trope challenges us to reconsider our perceptions of beauty. Her work serves as a reminder that beneath the surface lies a complex interplay of artistry, intention, and societal critique. By presenting these rarely seen polaroids, Trope invites viewers to appreciate not only the final product but also the intricate steps leading to its creation. Ultimately, her art encourages us to embrace ambiguity and question established norms—a timeless lesson in an ever-evolving world.
An iconic Rhode Island event, WaterFire, is seeking a financial lifeline to sustain its operations and expand its impact. The organization, which has graced the waters of Providence for three decades, faces uncertain waters as corporate donations dwindle and operational costs rise. Mark Allan, the interim Executive Director, emphasizes the cultural significance of WaterFire while acknowledging the precarious financial state it currently occupies. With only six full lightings scheduled this season, the organization aims to secure funding from wealthy individuals and increase public contributions to realize a more ambitious vision.
For over thirty years, WaterFire has been a cornerstone of Providence's cultural landscape, drawing visitors with its mesmerizing displays of fire on water. However, recent financial challenges have cast doubt on its future viability. According to Allan, the organization lost nearly $1 million in 2023, largely due to declining corporate support. To put on a single lighting spectacle costs between $80,000 and $100,000, requiring extensive logistical planning and equipment maintenance. Despite these hurdles, Allan remains optimistic about the potential for revitalization through targeted fundraising efforts aimed at affluent benefactors. He envisions expanding the number of annual events and introducing fresh creative elements conceived by WaterFire’s founder, Barnaby Evans.
Allan highlights the importance of securing additional funds not just for survival but for growth. The organization seeks increased financial backing from both private donors and government entities. Currently, WaterFire appeals for an enhanced state contribution, raising it from $400,000 to $750,000, alongside doubling the city’s support from $50,000 to $100,000. These funds are crucial for maintaining and enhancing the artistic and technical aspects of the event. Furthermore, Allan underscores the economic benefits WaterFire brings to the region, estimating an annual tax revenue boost of approximately $15 million through hotel stays and visitor spending.
WaterFire also operates the Arts Center, a facility that hosts free exhibits and classes, contributing year-round value to the community. While the center runs slightly in the red, Allan views it as a vital asset for engaging the public and showcasing the organization's broader mission. By targeting major gifts from philanthropists and strengthening ties with local authorities, WaterFire hopes to ensure its continued success and innovation.
To move forward, WaterFire must embrace a dual strategy of fostering creativity and securing stable funding. Encouraging Barnaby Evans to innovate further aligns with the goal of keeping the event vibrant and relevant. At the same time, cultivating relationships with influential patrons and advocating for increased public support will be key to overcoming current financial constraints. As Allan envisions, the path ahead involves transforming WaterFire into an even greater cultural and economic powerhouse, enriching the lives of residents and visitors alike.